P001 → The “human rights” of mannequins


We as a non-humanoid humanoid object. The things they endure make us think of these non-human rights behaviors, and we interpret the non-human rights behaviors of human beings from their bodies, the human platforms represent us, we destroy the human platforms, and the human platforms are us.


All Design&Creative Director by me

All Design&Creative Director by me






All Design&Creative Director by me




P002 →




Another set of shots from 'The Human Rights of Mannequins,' featuring more detailed images and different styling and art direction.




Design&Photograph by me

P003 → THE NEST





Creative director & styling by me
Photographer: @yuanfann
Model: @alexchanszeming









  





The NEST



In the quest for connection and belonging 
within an empty society, individuals construct layers of 
labels as protective shells, yet these superficial 
exteriors, born out of hollow desires, ultimately 
reveal vulnerability, leading to a cycle of casting 
aside and searching for the next nest.


Creative director & styling by me
Photographer: @yuanfann
Model: @alexchanszeming








Creative director & styling by me
Photographer: @yuanfann
Model: @alexchanszeming





 P004 → White show-Central Saints Martins(UAL)

 


Excerpts from the Chinese myth of Journey to the West evoke the relationship between human beings and their desires, reinterpreting the true meaning of the protagonist, Tang Sanzang, as a monk in his quest for the Buddhist scriptures.  Is it about desire or supreme faith?  I reinterprets Journey to the West to create a new story conjecture Introducing the deeper meaning of Buddhism.  This involves merging Tang Sanzang as an avatar with the desires he bids farewell to on his path to enlightenment.  In Buddhist scriptures, the crane symbolizes the rebirth of Nirvana, with feathers representing the desire to transcend worldly desires, whether driven by yearning or pure faith.  I meticulously crafted 1324 pieces of feathers from white recycled suede, symbolizing myriad desires, with white serving as a representation of the journey towards holiness.

Inspired by Tang Sanzang, Journey to the West has never been a process of seeking Buddhist scriptures from the West. The person who became a Buddha was not him anymore. The real him had died on the way to the West.





Design by me


P005 → Reincarnation of ego to superego 







Disability can be understood as the manifestation of a fundamental lack or failure in the body-mind complex, which
results in a compromised ability to engage with the world. This lack or loss may take different forms, but it often involves disrupting the usual flow of bodily and mental processes that allows one to engage in everyday activities.





In the popular imagination, disability is often associated with fear or pity, as it represents a departure from the normative ideal of a fully functioning human being. For those who live with a disability, the quest for wholeness and completeness can be a powerful motivator. In seeking to compensate for what they lack, they often develop a deep appreciation for the value of different modes of experience and ways of being in the world. This can lead to heightened sensitivity and awareness due to the lack of body parts; the heart of the disabled is the purest and most fragile because what they seek is just an experience of being a completely living
body




Ultimately, the experience of disability can be transformative, as it forces one to confront the limits and possibilities of the body and mind and to develop a unique sense of self that transcends conventional notions of ability and disability. When one finds a way to live fully and authentically despite these limitations, they may experience a profound sense of rebirth and liberation as their reincarnation of ego to superego.




Design & Photograph by me


P006 → AM




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